Musselburgh Camera Club

The Colour Blue – Tomorrow Evening

A reminder that we have our last competition of the season tomorrow evening (Thursday, 12th April) at 7:30pm. Please bring along 1, 2 or 3 JPEG images on the theme of “The Colour Blue”, on a CD or data stick. If you are bringing images with you, please try and come early so we have time to load them before we start. If you have already emailed your images to George he will load them onto the laptop for you. The images will be judged by members on the night, and there will be a prize for the best image.

If the weather is kind to us, there will be an outdoor photoshoot next week (19th April). I will be asking for ideas on possible evening locations around the Musselburgh area.

There are still some empty slots on the library exhibition rota. If you can spare a couple of hours on a Saturday to help transfer the exhibition between libraries during the summer, please sign the sheet in room G3. We need two people per slot.

 

Tips I Learned From Laurie Campbell

Here is a list of the hints and tips I learned from the wildlife photography workshop with Laurie Campbell last month:

http://www.lauriecampbell.com/

1) Photographing birds in flight.

The best way to photograph a bird in flight is to have your camera set to manual mode (M). Point the camera at a neutral subject, such as a grey wall or patch of grass. Dial up a fast shutter speed (such as 1/1000th sec) and a moderately fast ISO (such as 640) and use the camera’s meter to choose an aperture which gives you a good exposure. If there isn’t enough light, increase the ISO. Take a test shot of the neutral subject and make sure the histogram looks ok. If the bird has light markings on it, take another test shot of something with highlights (such as a cliff with white bird droppings) and make sure the highlights are not blown out. If they are, increase the shutter speed until your test shot looks ok. Now set your camera’s autofocus mode to continuous servo (AF-C on a Nikon camera) with a single focus point in the middle of the frame. If your lens has vibration reduction, turn it off (it’s not necessary when the shutter speed is much higher than the focal length, and it interferes with the autofocus). Set your shutter release to continuous shooting. Now look through the viewfinder and track the bird. Try to keep the bird in the centre of the frame while holding the shutter release halfway down. When the autofocus kicks in, take a series of shots. Keep trying. If you find it hard to lock onto the bird, you can change the autofocus mode to 9-points or 21-points.

Some of us had a problem with this technique when the bird flew in and out of a shadow. Laurie told us in this situation you program the camera for one type of lighting (shadow or sun) and only take shots when the bird is under that lighting. (I am wondering if an auto mode with spot metering and exposure compensation might help you follow the change in lighting?)

2) Macro photography

Laurie gave us a number of hints and tips about macro photography. He uses a large heavy tripod to hold his camera and lens. The problem with most tripods is that they hold the camera and lens in only one place, which allows the lens to wobble slightly around that pivot point. Laurie solves that problem by pushing a rubber door stop into the gap between his lens and tripod. (This works if you have a large lens and large tripod head, like Laurie.)

Laurie uses manual focus for most macro work, and he focusses by moving the camera back and forth.

To keep macro subjects from moving in the wind, or to hold extras such a reflector, you can use a gadget called a Wimberley Plamp, available here:

http://www.wexphotographic.com/search/?q=wimberley%20plamp

I was so impressed with this gadget that I am now the proud owner of one. :) It’s the sort of gadget which solves the problem of needing a third hand to hold something. I discovered each plamp can hold a reflector up to 20 inches in diameter. Larger reflectors need to be held by two plamps.

Laurie also pointed me to this inspirational video on macro photography:

http://petapixel.com/2014/11/21/bob-ross-bug-photography-returns-solid-overview-macro-workflow/

You can improve the lighting in macro photography by using a diffuser to soften the light and a silver reflector to lighten the shadows. (The famous plamp can hold the diffuser for you.) If he doesn’t have a diffuser or reflector handy, Laurie sometimes uses a Corex envelope stiffener as a diffuser or a piece of aluminuim foil as a reflector. A piece of foil is particularly useful, as you can mould it to the ground underneath a plant and shape it to reflect the light the way you want. (Note: During the session I used a piece of bubble wrap as a diffuser, and it seemed to work.)

3) General hints and tips

Laurie told us that one of his best value gadgets is a 77mm Canon 500D close-up filter. This is a high quality close-up filter which is more expensive than others on the market, but he believes the extra cost is worth it. He saves money by buying the largest filter size available (77mm) and uses step-up rings to attach it to lenses with a smaller thread size. Using step-up rings means the filter does not vignette your field of view, and you will be using the highest quality central part of the filter. You can use this tip whenever you need to buy an expensive filter – a 10 stop ND is another example. Never use a step-down ring, because this will vignette your field of view. (Note: For wide angle lenses, I think you need to check that the angular field of view of the lens is less than the opening angle of your step-up ring.)

Laurie likes to use Singh-Ray neutral density grad filters.

http://www.singh-ray.com/

He also mentioned that if you can’t afford a very long lens, you can obtain a very high equivalent focal length by attaching a Nikon V1 (which has a very small sensor) to a standard Nikon telephoto lens using an adaptor.

Laurie is always on the look out for new and interesting lenses and gadgets, and he sent me links to some interesting lenses that have recently appeared on the market:

http://photorumors.com/2015/06/23/venus-optics-announces-the-laowa-15mm-f4-the-worlds-widest-11-macro-lens/

http://sgmacro.blogspot.co.uk/2015/06/review-of-venus-optics-laowa-15mm-f4-11.html

http://www.venuslens.net/product/venus-v-dx-60mm-f2-8-ultra-macro-lens/

https://www.wimarys.com/venus-60mm-macro-lens-review/

Did anyone else pick up any hints and tips I haven’t mentioned?

All the best,

Steven.


The Musselburgh Public Art Dabble

The Camera Club has been approached to see if members may want to get involved in this. Tesco has donated funding for a public art project in Musselburgh. The Council has commissioned  ice cream architecture – a Glasgow based community art group to consult Musselburgh ( Fisherrow and Inveresk ) residents about what form they’d like the art to take and where it should go. There has been one meeting so far, a school consultation project and a walk around Fisherrow and the west of Musselburgh to talk about and look at possible sites for art.

The next walk is on Tuesday 23rd June meeting at Fisherrow Centre at 6pm. The walk lasts about 11/2 hrs. Full information about the project can be seen on the Facebook page or the Blog titled The Musselburgh Public Art Dabble. How about projected photographs on public buildings ? Once ideas have been further developed, a short list of artists, selected by the East Lothian Council,  will be asked to suggest possible artworks for installation. The public will be able to decide which they like best. Over to you …….


For Sale Tripod Ball Head

Hi All,

Due to my tripod legs breaking i am selling my Ball head.

It is a Hahnel BH-40 which is 1 year old and in mint condition.

RRP is £30 but i am after £15 for camera club members before i advertise it elsewhere. i can bring it to rosslyn tomorrow if anybody wants a shot.

If interested call mike on 07722887278

thanks Mike


Information for members

Summer 2015  –  Competition Information for next season

A member may submit up to 3 images in each competition. All images must be entirely the member’s original work. No image may be used that is too similar to one used in an earlier competition by the same author. Any subject is allowed – except the competitions for the Set Subject and Human Portrait.

Prints

Prints may be commercially or home printed. Prints must be mounted on mounting board. To avoid damaging other members’ work, neither masking tape nor Sellotape is allowed. Minimum size of the mount 16 x 12 ins (40 x 30 cm). Maximum size 20 x 16 ins (50 x 40 cm). The title and member’s number ONLY should appear on the back.

Each print should also be accompanied by a digital version see below.

Projected images

Projected images must be submitted with titles and in a folder with the member’s name and number. Images can be either on a disc/flash drive or sent to George Todd by email georgetodd1957@me.com The images must have the longest side being 1400 pixels

Closing dates for entries in Competitions 2015 – 16

3rd September   Opening night

17 September     Digital Projected images

8th October         Colour Prints

5th November     Human Portrait Prints

10th December   Set subject – Coast

14th January       Black and White Prints

4th February   Set subject – Dereliction

3rd March          Set subject – Abstract


Scottish Salon 2015

I have just received the Catalogue for the 2015 Scottish Salon.

This is an annual international exhibition, held this year in Aberdeen, and a competition involving prints and digital images in mono and colour. There are some stunning images and some are distinctly weird !  For ideas and inspiration click on link below to see the full catalogue in PDF.

Catalogue for 2015 Scottish Salon


Safari Park trip

Hi All now the weather is getting better (fingers crossed). its time to organise the Safari park trip. Who would be interested this weekend. If we get numbers i will set a day and time.

respond and list your name with preference for day.

Cheers

Mike


Laurie Campbel Workshops

Hi All,

laurie campbel has been in touch. is anybody up for this workshop?

I am. Can anybody organise it and get 6 of us together?

Cheers

mike

Hi Mike,

Just been going over past emails and wondered if you received the one forwarded below from mid-March…….?

If not, I’d hate you to think that I hadn’t bothered!

Sometimes, I’ve had instances where emails weren’t received because they were rejected by ‘spam filters’ due to attachments / image files but in this case I’ve removed them.

Best,

Laurie
Laurie Campbell Photography
Hestia, Paxton,
Berwick-upon-Tweed, TD15 1TE
Scotland, UK
email: laurie@lauriecampbell.com

www.lauriecampbell.com

Tel:+44(0)1289 386 736

From: Laurie Campbell

Sent: Sunday, March 15, 2015 11:14 PM

To: Mike Clark

Subject: Re: Show 6/3/15

Hello again Mike,

Sorry again for the delay in getting back to you but now that I’ve had a little time, I’ve prepared the following overview on what I can offer in the way of nature photography workshops.

I’m assuming that weekends are best for most Club Members but if weekdays are possible, then do let me know and I’ll get back to you with further dates. Meantime, possible weekends are as follows:

21st / 22nd March

4th / 5th April

2nd / 3rd May

About workshops. I’ve been teaching photography since before I turned professional 30 years ago and I’ve long since learnt that everyone attends photographic workshops for different reasons – they are interested in learning how to photograph different subjects, need help in different areas etc. So I deal with this by offering one-to-one help by going round the group throughout the day. For this reason, and to be fair to everyone, then I suggest a maximum group size of six.

Group numbers can affect costs and so smaller groups are possible, but would obviously be slightly more expensive (per person) so my rates are as follows:

Two participants      £150.00 each

Three participants    £100.00 each

Four participants      £75.00 each

Five participants      £60.00 each

Six participants        £50.00 each

This would be for a full 9.00am – 5.00pm day, but then if the weather is fine, and anyone wishes to stay a little longer, then I would pleased to extend this.

As with all my workshop days, the emphasis is showing guests how to get the best from the equipment that they already happen to own, rather than specifying a list of ‘must have’ items which can make some feeling a little uncertain. Items such as tripods are important but then I always have mine available should anyone need to borrow one. Similarly, I have a range of reflectors, diffusers and filters with a range of adaptor rings so that they can be fitted to most people’s lenses. What I wouldn’t want is for anyone to rush out any purchase anything specially for the workshop!  Indeed, they should have a better idea of what they might need (if anything) afterwards so I can give advice on that subject too.

About locations / subjects. These vary enormously but a combination that has worked very well and which I have staged several times for visiting groups has been to spend a morning at Burnmouth and then the afternoon at Eyemouth Harbour. There is a great range of subjects between the two locations, starting with mostly static subjects at Burnmouth, including still life macro subjects, of rock formations, plants and shorelife through to landscapes. And then at Eyemouth there are the more challenging birds (gulls, eider ducks, cormorants etc) and grey seals in the harbour so there is a natural progression to the day.

If a smaller group only wanted to photograph one type of subject for the whole day, such as birds or macro, then this would be possible and I would come up with a bespoke itinerary to suit.

Meantime the attached ‘contact-sheets’ shows samples of just a few images from Eyemouth that are perfectly possible to achieve in a single day.

There are other possibilities, including:

The Scottish Deer Centre, by Cupar, Fife – birds of prey and access insides of enclosures to work with subjects such as fallow deer and foxes – samples attached. This spring / summer – cost: (including refreshments, lunch, entry to Park, hire of falconer £90.00 each for six or £135.00 for four.

St Abbs Head – seabirds (obviously) but fantastic plants, insects and landscapes – samples attached. Later this spring – cost: as for Burnmouth / Eyemouth day.

Gannets feeding – Sailing around (but not landing) on the Bass Rock on a trip designed for action photographs of gannets feeding – samples attached. July / August – cost TBA.

Do just feel free to call me anytime on the number below should you wish to discuss – and I don’t mind fielding questions from interested members too.

Regards & thanks,

Laurie
Laurie Campbell Photography
Hestia, Paxton,
Berwick-upon-Tweed, TD15 1TE
Scotland, UK
email: laurie@lauriecampbell.com

www.lauriecampbell.com

Tel:+44(0)1289 386 736

From: Mike Clark

Sent: Friday, March 06, 2015 10:31 PM

To: info@lauriecampbell.com

Subject: Show 6/3/15

Hi Laurie,

Really enjoyed your show and images. I along with some of my friends in Musselburgh Camera Club are very interested in workshops with you. Can you supply me with a link to what you have on offer?

Kind regards

Mike Clark

www.underwater-photos.co.uk

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Rosslyn Chapel

The dates that are available are 18th and 25th June from 6pm to 8pm when there will be no normal visitors.

The charge will be £10 per person with a minimum total overall of £100. Each photographer will have to sign an agreement

on arrival assigning joint copyright of the images and a restriction on how the images may be used.

I need to know which is the best date with a minimum of ten to keep the cost down.

I will get a copy of the agreement as soon as possible.

 

Regards

gavin


Lee Filters online photography magazine

Lee – the manufacturer of a huge range of Photographic and Lighting equipment has started “Xposure” an online magazine. It looks good and the website also has a fascinating view of the use of lighting filters in theatre and architecture.

Xposure Issue 03 Highlights       

  • The subtle and ethereal infrared landscape photography of Paul Gallagher.
  • Getting the most from a Polariser.
  • Composition masterclass in the Lake District with Mark Gilligan.
  • Filter know-how with 5 professionals.

Liz

liz.sowler@virgin.net


Central Scotland Greenspace photo competition

8/4/15  Just received an email about this competition.

£250 prize per category . Maximum of five entries per person.

Must have been taken within the past  two years.

To enter you simply email image to photocomp@csgnt.org.uk by Monday 27th April 2015. There is a maximum of five entries per person and the images must have been taken within the last two years. A condition of entering is that the images can be used for our marketing and communications purposes including on our websites.

For full details and terms and conditions about the CSGN Photography Competition, please visitwww.centralscotlandgreennetwork.org/photocomp.


Jessops Training Course Saturday May 16th

See info below from Jessops . The Course runs from 1300 – 1600 at Glasgow Caledonian University. Tickets cost £8 in advance or £10 on the day and are available from Jessops Glasgow by phone ( see below ) or http://www.jessops.com/academy online. Hello   I’m contacting you on behalf of Jessops Glasgow with details of a photography training day that may be of interest to you and your members.   Jessops Academy Live will take place on Saturday 16th May, with workshops and presentations by Damian McGillicuddy and Michael Wayne Plant, the former focusing on studio and portrait photography, the latter social documentary and street shooting. Manufacturers exhibiting include Olympus, Sony, Manfrotto and Lastolite Many thanks,   Richard Wainman, Jessops Glasgow   Jessops

Units 3-5 Buchanan Galleries.

Glasgow

G2 3GF
(0141) 3540069

www.jessops.com


Safari park tickets

I will require to know and receive money for safari park tickets on Thursday.  £8 oap £9 youngsters.  Sorry re rush but offer is through my work and it ends 31mar.  Please contact friends in club if u know they don’t look at website. I will organise a club trip or you can go individually if u prefer.  Thanks Mike


Laurie Cambell Workshops

Hello again Mike,

 

Sorry again for the delay in getting back to you but now that I’ve had a little time, I’ve prepared the following overview on what I can offer in the way of nature photography workshops.

 

I’m assuming that weekends are best for most Club Members but if weekdays are possible, then do let me know and I’ll get back to you with further dates. Meantime, possible weekends are as follows:

 

21st / 22nd March

 

4th / 5th April

 

2nd / 3rd May

 

About workshops. I’ve been teaching photography since before I turned professional 30 years ago and I’ve long since learnt that everyone attends photographic workshops for different reasons – they are interested in learning how to photograph different subjects, need help in different areas etc. So I deal with this by offering one-to-one help by going round the group throughout the day. For this reason, and to be fair to everyone, then I suggest a maximum group size of six.

 

Group numbers can affect costs and so smaller groups are possible, but would obviously be slightly more expensive (per person) so my rates are as follows:

 

Two participants      £150.00 each

 

Three participants    £100.00 each

 

Four participants      £75.00 each

 

Five participants      £60.00 each

 

Six participants        £50.00 each

 

This would be for a full 9.00am – 5.00pm day, but then if the weather is fine, and anyone wishes to stay a little longer, then I would pleased to extend this.

 

As with all my workshop days, the emphasis is showing guests how to get the best from the equipment that they already happen to own, rather than specifying a list of ‘must have’ items which can make some feeling a little uncertain. Items such as tripods are important but then I always have mine available should anyone need to borrow one. Similarly, I have a range of reflectors, diffusers and filters with a range of adaptor rings so that they can be fitted to most people’s lenses. What I wouldn’t want is for anyone to rush out any purchase anything specially for the workshop!  Indeed, they should have a better idea of what they might need (if anything) afterwards so I can give advice on that subject too.

 

About locations / subjects. These vary enormously but a combination that has worked very well and which I have staged several times for visiting groups has been to spend a morning at Burnmouth and then the afternoon at Eyemouth Harbour. There is a great range of subjects between the two locations, starting with mostly static subjects at Burnmouth, including still life macro subjects, of rock formations, plants and shorelife through to landscapes. And then at Eyemouth there are the more challenging birds (gulls, eider ducks, cormorants etc) and grey seals in the harbour so there is a natural progression to the day.

 

If a smaller group only wanted to photograph one type of subject for the whole day, such as birds or macro, then this would be possible and I would come up with a bespoke itinerary to suit.

 

Meantime the attached ‘contact-sheets’ shows samples of just a few images from Eyemouth that are perfectly possible to achieve in a single day.

 

There are other possibilities, including:

 

The Scottish Deer Centre, by Cupar, Fife – birds of prey and access insides of enclosures to work with subjects such as fallow deer and foxes – samples attached. This spring / summer – cost: (including refreshments, lunch, entry to Park, hire of falconer £90.00 each for six or £135.00 for four.

 

St Abbs Head – seabirds (obviously) but fantastic plants, insects and landscapes – samples attached. Later this spring – cost: as for Burnmouth / Eyemouth day.

 

Gannets feeding – Sailing around (but not landing) on the Bass Rock on a trip designed for action photographs of gannets feeding – samples attached. July / August – cost TBA.

 

Do just feel free to call me anytime on the number below should you wish to discuss – and I don’t mind fielding questions from interested members too.

 

Regards & thanks,

 

Laurie
Laurie Campbell Photography
Hestia, Paxton,
Berwick-upon-Tweed, TD15 1TE
Scotland, UK
email: laurie@lauriecampbell.com

www.lauriecampbell.com

Tel:+44(0)1289 386 736

 

From: Mike Clark

Sent: Friday, March 06, 2015 10:31 PM

To: info@lauriecampbell.com

Subject: Show 6/3/15

 

Hi Laurie,

Really enjoyed your show and images. I along with some of my friends in Musselburgh Camera Club are very interested in workshops with you. Can you supply me with a link to what you have on offer?

Kind regards

Mike Clark

www.underwater-photos.co.uk


E-news from the Photographic Alliance of Great Britain – FREE

The PAGB is the  GB organisation which organises inter club activities and provides advice and education on photographic matters. They produce an e-news letter approximately six times a year. Anyone can subscribe to the newsletter for free through the PAGB website   http://www.thepagb.org.uk.

The most recent newsletter, which has just arrived, has a good article on how to make AV presentations and one on data protection, as well as prizewinning images and details of competitions and meetings etc.

Liz


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